studio Tag

TransferInterviewing the Transfer Student

The interview process for the transfer student provides a window of opportunity. First, to see if your studio is the right fit. Second, to assess skills and knowledge, and third, a great way to start planning curriculum if it turns out to be a good fit! I have developed a form I use with a list of activities as well as questions that include the obvious (name, age, date of birth, grade in school, and school that they attend). I take notes on this form so that I can refer back to it later. After the initial questions have been asked, I launch into the following assessment activities.

InterviewIn a recent blog, I discussed the phone interview. The next step is to meet face to face. Before I accept a student, I always meet with both parent and student in person. Whether you call it a consultation, initial mini-lesson or interview, this meeting is a crucial part of my studio procedures. It is an opportunity for both parties to discover if they are compatible; i.e., is it the “right fit?” I think of it as a two-way interview. Not only am I assessing the student, I am also providing them with a picture of what lessons will be like with me. In my studio, I do not to charge a fee for this interview. It is free for those with whom I decide to meet. However, one could certainly decide to charge a fee as it does take valuable time.

bloggityLast month I wrote about how I use my completely non-professional equipment (as in iPhone) to record my students playing and allow them to hear mistakes, or record myself playing a passage they struggle with so they have a sample for home practice. I recently decided to use recording technology to record a few lessons and evaluate my teaching abilities.

I recorded myself teaching when I was introducing a new piece to a student, and then recorded the middle stage of the piece, where it was coming along nicely but we were working out a lot of rhythm kinks and adding layers and such. Besides being an awkward viewing experience (does anyone really enjoy seeing themselves on camera?), it was actually beneficial. I was able to pick up on little things I did well in the lesson and watch how it “clicked” with the student, and I was able to see the moments where I was losing the student’s interest. I learned from watching myself during the first recording that I have a tendency to talk and explain how I want something to sound. Certainly explaining and talking is a part of lessons, but seeing myself in action caused me to realize that I need to keep the student playing or listening to keep him engaged. I now have added awareness of this tendency and work hard to let the majority of lessons be about the student’s playing and putting into action the things we talk about.

iphoneI have long wanted to purchase recording equipment for my studio, but it has always been cost prohibitive. I have recently realized that I don’t need fancy recording equipment for some of the things that I’ve been hoping to do with my students.

I may be the last person in this country to purchase a smart phone, but a few months ago I took the plunge and bought an iPhone. The built-in video camera in the phone makes it easy for me to use a bit of recording as a teaching tool for my students.

Music is For Everyone

A few years back, I was invited to join my local chapter of the Illinois Federation of Music Clubs. At first, I was completely intimidated. Most of the members had been teaching piano, voice, and other instruments for many years — some even longer than I’ve been alive! I was relatively new to teaching, since it was something I did in addition to providing music therapy.

But it was nice to be part of a group, and I’ve become more and more involved since joining. I’ve learned so much about music education from my fellow members, and yesterday, I had the opportunity to give back by presenting on a topic that is close to my heart: teaching music to children with special needs.