Performance

“We are what we repeatedly do. Excellence, then, is not an act, but a habit.” – Aristotle

In the November issue of Clavier’s Piano Explorer (a wonderful little magazine for piano students), there was an article on creating good practice habits. The challenge was for students to practice 100 days in a row. Students that completed the challenge get to have their names printed in a future issue of the magazine. To motivate my students to develop the habit of practicing every day, I adopted the 100-day challenge in my studio, offering prizes to those who complete the challenge. In addition, I decided to take the challenge as well!

Recently I completed the challenge along with a handful of students. Practicing every day became a habit that I made time for. Part of committing to the challenge meant that practice did indeed have to happen every day, no matter what – like brushing your teeth. For students that went on vacation and had no access to a piano, listening to a recording of their piece was an optional substitute for practice, but only if absolutely necessary.

In a recent music teachers workshop, a professor from our local university’s music department gave an excellent presentation on the topic of motivating your students. I imagine this is something every studio owner struggles with, and since students who aren’t motivated have a tendency not to progress and not to enjoy what they’re doing, this can also affect student turnover.

A few years ago, back when I used to travel to my students’ homes to teach lessons, I tried an experiment. I thought it might be fun to be able to hear themselves playing or singing a piece they had mastered, so I brought alone my laptop computer and a USB microphone.

The results were mixed; while most students LOVED the idea of recording themselves, not all of them enjoyed actually hearing themselves. But what I discovered was that no matter how much they enjoyed or disliked it, having my students listen to their performances was an excellent teaching tool.

Festival, exam and competition season is upon us. How do you prepare your students for these events? I take this part of my teaching very seriously, mostly because I had a negative experience at a music exam as a student myself. My first piano teacher registered me for a piano exam and I had absolutely no idea what to expect, was not coached on any of the components of the exam, and left feeling like a failure. Luckily, I did not lose my drive for music and instead found a much more competent teacher who took the time to make sure I was prepared. What I learned from her was invaluable to me as both a performer and teacher. Most of this is common sense, but I would like to share some of my ideas.

I love the holidays and the opportunities it presents for me as a studio owner. Last month, I shared some of the ways that I use Halloween in all its glory to generate some performance and marketing opportunities at my studio. With Christmas fast approaching, I’ve switched out my pumpkin and witch practicing stickers for the likes of Santa and his elves.

Performances

Pretty much any piano method book has a supplementary book for the holidays, making a holiday recital a pretty easy thing to throw together. But rather than a typical performance at a typical recital venue, I like to use the holidays to teach my students that they can use their musical gifts to serve others. Each year, we select a local nursing home and have students perform their holiday pieces for a get-together there. The residents love it, and often students will go beyond just playing a piece and bake cookies or color cards for the residents and interact with them after the performance. Students also enjoy the casual, laid-back atmosphere as opposed to a more formal venue — it’s not unusal for a student to perform in a Santa hat or even sing along to others’ playing. Since I also teach 2-3 year old music classes, they will accompany my piano playing on bells or another percussion instrument to a Christmas carol.