Performance

by Sarah Haughton The imitation of recordings has long been demonized in the music education community. Viewed as a form of creative impotence, teachers tend to discourage their students from copying recordings. To the contrary, I believe we should encourage our students to copy and imitate quality recordings as much as possible. I acknowledge there is some risk associated with having a student imitate someone else’s interpretation,...

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My college vocal instructor often commented: “The voice is a slow moving instrument.” What he meant was that in terms of development, students are often unaware of the changes that are taking place. I often have students ask me if they’re doing well in voice lessons because they don’t hear the difference between the singing they did at the onset of their lessons and the...

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One of the things I love about being in a local music teachers association is the access to different events for students at my studio. Whether it’s a master class or a workshop, students are provided with lots of opportunities, thanks to the ideas, work and expertise of colleagues in my profession.

Several times a year, our group rents the recital hall at our university and hosts collaborative recitals. Students have opportunity to play on an absolutely incredible Steinway piano in a fabulous venue, a unique treat for them and their families.

Are you a member of a local teaching association, or do you have colleagues with whom you might consider hosting such a recital? Here’s why I think collaborative recitals are so great:

By Jamey Mann A commonly over looked aspect of learning an instrument is performing. Often new students will feel insecure about their playing, feel like they are never ready, may be prone to stage fright, or some teachers may not offer their students performance opportunities. Lack of performing can be detrimental to learning an instrument because it takes away one of the main goals of making...

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