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Two common struggles of teachers/studio owners are motivating students and keeping students long-term.   These are, of course, related to each other.  A student who isn’t motivated to practice his instrument probably isn’t enjoying the experience and isn’t progrPejman-Recital-Hollandessing, and it’s likely that it won’t be long before his family feels the investment is a waste of money and decides to pull their child out of lessons. 

That said, I’ve never been one to implement reward programs to try to motivate a student.  I’ve known teachers who provide prizes or even monetary rewards for students who practice a certain number of times per week, but in my experience these can be ineffective and expensive.  Instead, I have found that providing students with performance opportunities motivates students to practice and in doing so, helps encourage a long-term relationship with the student and his family.

We hope your studio is off to a great start for the new year and wish you a happy and prosperous New Year! Here is the list of updates we launched in December, 2011. We're monitoring the votes on our feedback system and are looking into adding those with the most votes soon. If you haven't voted the features you'd like to see implemented into Studio...

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Readying Your Studio for 2012

At the top of my list of to-do’s over the holiday break? Whipping my studio into shape for the new year. It was badly in need of reorganization after the end-of-semester frenzy — and I’m pretty sure mine isn’t the only one!

That, of course begs the question: is your studio ready for 2012?

I started to feel a little overwhelmed as I wrote down all the tasks involved, but actually tackling them one by one was surprisingly enjoyable. The very best and most satisfying part was crossing them off the list, which looked like this:

Carnegie hall Attention: Music Teachers! Do you know how your students can get to Carnegie Hall? Of course they have to “practice, practice, practice,” but you can increase their chances by recommending that they participate in The Carnegie Hall Royal Conservatory Achievement Program (TAP for short).

WHAT is it?

TAP provides a recognized national standard of musical success through an effectively sequenced course of study from beginner to advanced levels. First of all, a bit of recent history: last year The Royal Conservatory Program partnered with Carnegie Hall to create TAP. Prior to TAP, the program here in the United States was formerly called The National Music Certificate Program (NMCP) and before that, The Royal American Conservatory Examinations (RACE). Though it is fairly new here, the Royal Conservatory was founded in 1886 as the Toronto Conservatory of Music. Interestingly, its founder, Edward Fisher, was a young organist born in the U.S. The Conservatory offically opened in September of 1887 and is now celebrating its 125th year. The mission of The Royal Conservatory is “to develop human potential through music and the arts.” Notable alumni include Glenn Gould who graduated from the Conservatory with highest honors at age 12.

TAP encompasses four main areas: repertoire, technique, musicianship, and musical literacy. The program covers all instruments, voice, and the academic areas of theory, music history, and pedagogy. The Piano Syllabus consists of ten Grades with a theory assessment requirement beginning at Grade 5. Included also are elementary and intermediate piano pedagogy, as well as diplomas in Piano Performance and Piano Pedagogy.

p44732cA month ago I added an iPad to the collection of devices in my house. It’s a fun toy and I have enjoyed adding apps, books, and games. But the real reason I am excited about my iPad is the almost endless ways I have begun to use it in my teaching studio.

For the past year I have been teaching with my computer in the studio. I use it to take care of the business of music teaching with Music Teachers Helper, to look up youtube videos with my students, and to listen to and play with the CD recordings I have downloaded into iTunes. Slowly I am becoming more comfortable with the blending of technology and more traditional music lessons. But having to turn to the computer and manipulate the keyboard often feels like an interruption to the flow of the lesson.

My excitement about the iPad stems from the fluid way that I have been using it during lessons. The iPad is small and can easily rest on my solid, black music stand. It requires touching rather than a keyboard. And, most of all, the kids LOVE it. It’s pretty and it’s fun. The apps feel like games even when they are covering challenging concepts.

What are my favorite apps so far?